practice's art
PRACTICE MAKES PERFECT

How often these kids practice, and how their efforts are appreciated.
 
 
   
 
Interview with Susumu and His Parents

Question: How did Susumu get involved in noh?

Mr. Kawamoto:
I went to the United States when I was 8 years old and didn't come back until I turned 22. I learned about noh at college, and began taking lessons from Mr. Inoue a few years after I got back. My wife also studies with him. Susumu debuted on stage when he was three years old, but in a sense he has been "listening" to noh since he was still in his mother's womb. Noh has always been a part of Susumu's life; he loved watching noh videos before he could even talk.

Susumu practices.
Susumu practices three times a week.

Question: Have you ever been bored with noh?

Susumu:
Never. In fact I want to do more. There are a lot of pieces I'd like to do and a lot of really cool moves I want to learn.

Question: How often does Susumu practice?

Mr. Kawamoto:
About three times a week. We go over the things that Mr. Inoue points out. But when there's a big performance coming up, he practices at least an hour a day.

Question: What kind of influence has noh had on Susumu?

Mr. Kawamoto:
I think studying noh improves your memory. I've heard that it's good for the brain's development. Susumu used to get tense before a performance, but he's relaxed now, even right before he goes on stage.

Mrs. Kawamoto: Susumu can't sit still for very long at school. His teacher came to see him in a performance the other day and said she couldn't believe her eyes: Susumu was perfectly still, for almost an hour!

   



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